Photographs of New York ’cause that’s where I live

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Photographer in Rain

9 September, 2008 (13:40) | 2 comments

photographerinrain2143 Photographer in Rain


Turnstile Swipe 2

9 September, 2008 (08:21) | No comments

turnstile-swipe-2-1889-copy Turnstile Swipe 2

I’ve been selected by the MoMO to do an exhibit on Subway Metrocard swiping techniques.  Only four thousand more instances to post.  (MoMA = Museum of My Art).

And that’s me in the upper right hand corner in yellow parka.  Like Alfred Hitchcock, I try to make a guest appearance in as many shots as I can.  Next, I’ll be wheeling a cello through the scene.

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Turnstile Swipe

8 September, 2008 (19:46) | 4 comments

Yes, I realize that I posted this one before, but it was in b&w.

turnstile-swipe-18641 Turnstile Swipe

On a technical color note - I am having trouble getting the web image colors right.  By right, I mean what I see in Photoshop or Lightroom. (Monitor calibrated.  Prints with profiles for particular paper, correct).

So I’m working in colorspace: Adobe 98, and then I convert the file to sRGB.  With the “Windows” proof selected, it looks correct.  With “monitor” proof, it has a reddish cast, and is more saturated, or maybe just darker.  And when I do “Save for web” and do the “2-up” thing so I can compare the source and destination images - the web destination image is definitely too red.

What I’ve done is to create an action to put some more cyan into the web image, and that is closer to what I see in Adobe RGB.  So what’s the trick?  Do I have to be working in sRGB as my workspace in PS so that it doesn’t change when the jpg is created for the web?

If I change my workspace color preferences to “monitor” - then “save for web” output matches the photoshop source output exactly.  But that’s not good for printing.

Anyway - I’m sure you have the solution.

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Buddy’s Break

8 September, 2008 (11:36) | 3 comments

buddys-break-1751 Buddys Break

He had a good night last night.  I never found out what he was chasing, but whatever it was - he was clanging around over everything until he came to rest by the bathroom and just stared into one corner under the sink for several hours.  He can be easily bored, but if he is on the prowl, then he has tremendous patience.  You can probably say the same thing about most street photographers.


Full Cart

8 September, 2008 (09:21) | 2 comments

groceries-1548-copy Full Cart


Night Ride

8 September, 2008 (02:39) | No comments

couple-by-met-11072 Night Ride


Carriage Ride in Snow

7 September, 2008 (19:32) | No comments

carriages-in-snow-0771 Carriage Ride in Snow

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Cypress Trees through Cellphone (Van Gogh)

7 September, 2008 (13:06) | 2 comments

van-gogh-cellphone-05022 Cypress Trees through Cellphone (Van Gogh)

“Now the olive and the cypress have exactly the significance here as the willow has at home. What I have done is a rather hard and coarse reality beside their abstractions, but it will have a rustic quality, and will smell of the earth. ”
Letter to Theo van Gogh,  November 1889

And one day - long after you’re gone - a man will capture this painting with a small device and another man will make a record of this capture with still another device which translates images into a collection of zeros and ones.


Giants Celebration, 2-5-08

7 September, 2008 (10:24) | 2 comments

giants-celebration-0350 Giants Celebration, 2-5-08

Between all the infrared and regular color, I guess I’ve got a lot to go through for the color gallery.  One tip that has helped me a lot.  I’ve mentioned the Adobe DNG Profiler several times.  And how they’ve got starting profiles (recipes).

One thing that I didn’t mention is that I think that Lightroom II also has these “starter” profiles in the Camera Calibration tab.

For the Canon 40D, for example, you’ve got the following (beta) profiles: faithful, neutral, portrait, and landscape.  I’ve found that “neutral” and “landscape” give me a good place to begin before doing whatever corrections are necessary.


Color Prints

6 September, 2008 (16:20) | 6 comments

Well, with all the color printing / work I’ve been doing - I’m going to put up a color gallery with prints for sale.  I think I have about 25 good ones.  I have no idea if there’ll be any interest in them but we’ll see.  I printed this one on the Epson F paper at 12 x 18.  Hey, not bad.

fdr-night-2895 Color Prints


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